This basic example is based on the use of docker images
Keep in mind the path are setup so it works with hardlinks and instant moves.
More info HERE
The default path setup suggested by some docker developers that encourages people to use mounts like /movies, /tv, /books or /downloads is very suboptimal and it makes them look like two or three file systems, even if they aren’t (Because of how Docker’s volumes work). It is the easiest way to get started. While easy to use, it has a major drawback. Mainly losing the ability to hardlink or instant move, resulting in a slower and more I/O intensive copy + delete is used.
But you're able to change this, by not using the pre-defined/recommended paths like:
/tv => /data/media/tvNote
@@ -3863,7 +3857,6 @@Warning
Do not set Pre-allocated disk space if you are using ZFS as your filesystem as ZFS does not support fallocate
ATTENTION
Your Download and Media Library should be **NEVER the same locations**
Your Download and Media Library should be **NEVER the same locations**
Here you can set your rate limits, meaning your maximum download/upload/connections.
diff --git a/Downloaders/Deluge/Tips/Plugins/index.html b/Downloaders/Deluge/Tips/Plugins/index.html index 2ba40d3d2..dfaed3bed 100644 --- a/Downloaders/Deluge/Tips/Plugins/index.html +++ b/Downloaders/Deluge/Tips/Plugins/index.html @@ -3630,7 +3630,6 @@See the forum thread for details below.
-You can add users in the Daemon settings in preferences as well.
BE AWARE: These passwords are stored in PLAIN-TEXT in your auth file.
0 4 * * *
You can generate your scheduling HERE
NZBGet development has been picked up again by new developers over at github!
This basic example is based on the use of docker images
Keep in mind the path are setup so it works with hardlinks and instant moves.
More info HERE
The default path setup suggested by some docker developers that encourages people to use mounts like /movies, /tv, /books or /downloads is very suboptimal and it makes them look like two or three file systems, even if they aren’t (Because of how Docker’s volumes work). It is the easiest way to get started. While easy to use, it has a major drawback. Mainly losing the ability to hardlink or instant move, resulting in a slower and more I/O intensive copy + delete is used.
But you're able to change this, by not using the pre-defined/recommended paths like:
/tv => /data/media/tv| GUI (graphical user interface) | - |
+ |
||
| Radarr Custom Formats | - |
- |
+ |
+ |
| Radarr Use Flowchart to choose the correct Custom Formats for your Quality Profile | - |
+ |
||
| Radarr predefined config files available | - | |
+ |
|
| Radarr Clear all Custom Formats | - |
- |
+ |
+ |
| Radarr Scores | - |
- |
+ |
+ |
| Radarr Quality Settings (File Size) | - |
- |
+ |
+ |
| Radarr Naming Scheme | - |
- |
+ |
+ |
| Radarr Quality Profiles | - |
- |
+ |
+ |
| Sonarr Custom Formats | - |
- |
+ |
+ |
| Sonarr predefined config files available | - | |
+ |
|
| Sonarr Clear all Release Profiles | - |
+ |
||
| Sonarr Clear all Custom Formats | - |
- |
+ |
+ |
| Sonarr Scores | - |
- |
+ |
+ |
| Sonarr Quality Settings (File Size) | - |
- |
+ |
+ |
| Sonarr Naming Scheme | - |
- |
+ |
+ |
| Sonarr Quality Profiles | - |
- |
+ |
+ |
As of 13 March 2022 Torguard Settles Piracy Lawsuit and has agreed to use commercially reasonable efforts to block BitTorrent traffic on its servers in the US using firewall technology.
I Talked to several people and they are still able to use Torguard for Torrents, Perhaps because the connection is encrypted. And others just selected a server in another country.
- Source Torguard.
- Source Torrentfreak.
As of 13 March 2022 Torguard Settles Piracy Lawsuit and has agreed to use commercially reasonable efforts to block BitTorrent traffic on its servers in the US using firewall technology.
I Talked to several people and they are still able to use Torguard for Torrents, Perhaps because the connection is encrypted. And others just selected a server in another country.
- Source Torguard.
- Source Torrentfreak.
If servers in the United States are not working for you, please try another country
@@ -3712,7 +3712,7 @@ Remember that for later use.
IP we found earlier.UDP. ( KEEP THIS ON UDP FOR WireGuard )UDP. ( KEEP THIS ON UDP FOR WireGuard )Port/Auth and select WireGuard.Protocol TCP.Port number 10000+ or a game port you don't use, don't use the default torrent ports 6881- 6889
@@ -3721,7 +3721,7 @@ Remember that for later use.
Submit Request. DON'T CHANGE OPTION 2 UDP to TCP
DON'T CHANGE OPTION 2 UDP to TCP
If everything succeeds, you will see the following.
WireGuard.IP we got earlier and used for the port forwarding.VPN Username.Generate ConfigThis will generate a .conf file for you to download named with a random number.
Quote
x265 is good for 4k stuff or 1080p if they used the remuxes as the source. @@ -3537,8 +3536,6 @@ It's all really dependent on specific situations for different people
So, what are the best Plex Media Server settings?
This is something that can't be answered, as it depends on the use case and your personal preference.
Here we will provide some suggestions and try to explain why we recommend these settings. Adjust it to your liking, and keep in mind that it is only a suggestion.
Here we will provide some suggestions and try to explain why we recommend these settings. Adjust it to your liking, and keep in mind that it is only a suggestion.
Warning
@@ -3752,7 +3752,7 @@32400)Apply and when everything is set up correctly, your Plex Media Server should be fully accessible outside of your network, so you can connect to your Plex server from outside. You may also need to configure port forwarding on your router. Detailed instructions are available HERE.The images are stored in your Plex database location (/config) so be careful you don’t fill the drive
The images are stored in your Plex database location (/config) so be careful you don’t fill the drive
Default Linux only allocates a max of 50% of total system RAM to any ram directories (ie. /tmp, /dev/shm, etc.)
WARNING
- YOU SHOULD NOT SPECIFY A LOCATION THAT RESIDES ON A NETWORK SHARE/DISK.
YOU SHOULD NOT SPECIFY A LOCATION THAT RESIDES ON A NETWORK SHARE/DISK.
This option creates a series of preview thumbnails from a media item when it is analyzed. These images are used by some Plex apps when you move back and forward in an app with the timeline scrubber. They’ll also be displayed in Now Playing when someone is streaming from you so that you can see where they are in the video.
ATTENTION
-Creating these images can take a considerable amount of time, CPU resources, and increase the storage space used. The images are stored in your Plex database so be careful you don’t fill the drive
Creating these images can take a considerable amount of time, CPU resources, and increase the storage space used. The images are stored in your Plex database so be careful you don’t fill the drive
Suggested: Disabled
This option creates a series of preview thumbnails from a media item when it is analyzed. These images are used by some Plex apps when you move back and forward in an app with the timeline scrubber. They’ll also be displayed in Now Playing when someone is streaming from you so that you can see where they are in the video.
ATTENTION
-Creating these images can take a considerable amount of time, CPU resources, and increase the storage space used. The images are stored in your Plex database so be careful you don’t fill the drive
Creating these images can take a considerable amount of time, CPU resources, and increase the storage space used. The images are stored in your Plex database so be careful you don’t fill the drive
Suggested: Disabled
Here you will find a collection of profiles you only should use if Plex has issues direct playing your media on your devices, these profiles could help but results might vary.
The profiles aren't tested on the Shield 2019 or newer Chromecast models 
The profiles aren't tested on the Shield 2019 or newer Chromecast models 
To make use of the profiles you need to add it in your your plex folder
diff --git a/Plex/what-does-my-media-player-support/index.html b/Plex/what-does-my-media-player-support/index.html index 167271be6..645bc29a4 100644 --- a/Plex/what-does-my-media-player-support/index.html +++ b/Plex/what-does-my-media-player-support/index.html @@ -3753,25 +3753,21 @@ To make this easier, we've made a section labeled "How to set up a quality profiWhy would I choose All HDR formats?
You have a 4K/2160p TV and a hardware media player device (such as Roku, AppleTV, Shield, SmartTV App, etc.) that supports several HDR formats (such as Dolby Vision, HDR10, HDR10+, etc.).
-Plex for Apple TV and Plex with Infuse is only capable of playing Dolby Vision profiles 5 and 8 correctly if CMv2.9 is being used.
This is something that cannot be determined beforehand.
So whether you are using an Apple TV, with or without Infuse, it will always be hit or miss whether the content is compatible.
Additionally, it is uncertain whether the Dolby Vision layer will play, fall back to HDR10, or encounter a black screen.
You've chosen a profile that includes 4K/2160p releases. You must use all the HDR formats with 4k/2160p profiles.
Why am I getting purple or green colors?
@@ -3794,8 +3790,6 @@ To make this easier, we've made a section labeled "How to set up a quality profiDolby Vision Profiles
@@ -3805,11 +3799,9 @@ To make this easier, we've made a section labeled "How to set up a quality profiPlex for Apple TV and Plex with Infuse is only capable of playing Dolby Vision profiles 5 and 8 correctly if CMv2.9 is being used.
This is something that cannot be determined beforehand.
So whether you are using an Apple TV, with or without Infuse, it will always be hit or miss whether the content is compatible.
Additionally, it is uncertain whether the Dolby Vision layer will play, fall back to HDR10, or encounter a black screen.
There are two versions of Dolby Vision, namely CMv2.9 and CMv4.0. CMv4.0 uses an improved algorithm and a superior tone curve that allows for better mapping and more controls during the Dolby Vision trim pass process.
More info about the different Dolby Vision Versions: Dolby Vision Versions - CMv2.9 vs. CMv4.0
Why should I choose All Audio formats?
You have a hardware media player device and an audio setup that supports ALL HD Audio (TrueHD, DTS-X, DTS-HD, etc).
-AppleTV doesn't passthrough HD-audio, If you use infuse it's still limited!
please check I've a AppleTV
You've chosen a profile that includes Audio Formats. You should use all the Audio formats with Remuxes/UHD Encodes.
@@ -3982,7 +3966,6 @@ To make this easier, we've made a section labeled "How to set up a quality profi
How to set up Quality Profiles - Explains how to make the most of Custom Formats and shows some specifics of my configuration. You can use these examples to get an idea of how to set up your preferences.
@@ -4109,25 +4087,21 @@ To make this easier, we've made a section labeled "How to set up a quality profiWhy would I choose All HDR formats ?
You have a 4K/2160p TV and a hardware media player device (such as Roku, AppleTV, Shield, SmartTV App, etc.) that supports several HDR formats (such as Dolby Vision, HDR10, HDR10+, etc.).
-Plex for Apple TV and Plex with Infuse is only capable of playing Dolby Vision profiles 5 and 8 correctly if CMv2.9 is being used.
This is something that cannot be determined beforehand.
So whether you are using an Apple TV, with or without Infuse, it will always be hit or miss whether the content is compatible.
Additionally, it is uncertain whether the Dolby Vision layer will play, fall back to HDR10, or encounter a black screen.
You've chosen a profile that includes 4K/2160p releases. You must use all the HDR formats with 4k/2160p profiles.
Why am I getting purple or green colors?
@@ -4150,8 +4124,6 @@ To make this easier, we've made a section labeled "How to set up a quality profiDolby Vision Profiles
@@ -4161,11 +4133,9 @@ To make this easier, we've made a section labeled "How to set up a quality profiPlex for Apple TV and Plex with Infuse is only capable of playing Dolby Vision profiles 5 and 8 correctly if CMv2.9 is being used.
This is something that cannot be determined beforehand.
So whether you are using an Apple TV, with or without Infuse, it will always be hit or miss whether the content is compatible.
Additionally, it is uncertain whether the Dolby Vision layer will play, fall back to HDR10, or encounter a black screen.
There are two versions of Dolby Vision, namely CMv2.9 and CMv4.0. CMv4.0 uses an improved algorithm and a superior tone curve that allows for better mapping and more controls during the Dolby Vision trim pass process.
More info about the different Dolby Vision Versions: Dolby Vision Versions - CMv2.9 vs. CMv4.0
At the moment, we've decided not to add Audio Advanced Custom Formats to the WEB profile. You will hardly find HD audio with WEB-DL (Most newer WEBDL will have Atmos). If you also want HD audio formats, we would suggest going for Remuxes.
-TrueHD Atmos
TrueHD Atmos
From Wikipedia, the free encyclopedia
Dolby Atmos is a surround sound technology developed by Dolby Laboratories. It expands on existing surround sound systems by adding height channels, allowing sounds to be interpreted as three-dimensional objects.
-
-DTS-X
DTS-X
DTS:X is an object-based audio codec which aims to create a multi-dimensional sound that “moves around you like it would in real life”. You may think that sounds similar to Dolby Atmos, and you’d be right, but where DTS:X's differences lie in the required speaker configuration. While Dolby Atmos requires adding additional overhead channels to your 5.1 or 7.1 setup, DTS:X works with standard surround speaker setups – just like the one you might already have at home. It can support up to 32 speaker locations and an 11.2-channel system. DTS:X, like other higher-quality DTS formats (e.g. DTS-HD MA), is lossless.
-
-ATMOS (undefined)
ATMOS (undefined)
This custom format covers cases where ONLY "Atmos" is specified in the release title, without noting DD+ (Lossy) or TrueHD (Lossless).
Note
Apply the same score as Lossy (DD+) Atmos. On import, it will be updated to reflect either lossy or lossless based on the media's info using ffprobe.
-DD+ ATMOS
DD+ ATMOS
Atmos via UHD Blu-ray will be lossless, or lossy via streaming services so in this case it will be lossy + Atmos
-
-TrueHD
TrueHD
From Wikipedia, the free encyclopedia
Dolby TrueHD is a lossless multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray Discs and compatible hardware.
-
-DTS-HD MA
DTS-HD MA
From Wikipedia, the free encyclopedia
DTS-HD Master Audio is a multi-channel lossless audio codec developed by DTS that extends the lossy DTS Coherent Acoustics codec (DTS CA; usually referred to as simply "DTS"). Rather than being an entirely new coding mechanism, DTS-HD MA encodes an audio master in lossy DTS first, then stores a concurrent stream of supplementary data representing whatever the DTS encoder discarded. This gives DTS-HD MA a lossy "core" able to be played back by devices that cannot decode the more complex lossless audio. DTS-HD MA's primary application is audio storage and playback for Blu-ray Disc media.
-
-FLAC
FLAC
FLAC stands for Free Lossless Audio Codec, an audio format similar to MP3 - but lossless, meaning that the audio compressed with FLAC does not receive any loss in quality. This is similar to how Zip works, except with FLAC you will get much better compression because it is designed specifically for audio.
-
-PCM
PCM
PCM is the method of encoding typically used for uncompressed digital audio.
-
-DTS-HD HRA
DTS-HD HRA
Dolby Digital Plus = DD+ = DDPlus
-DD+ aka E-AC3
DD+ aka E-AC3
From Wikipedia, the free encyclopedia
Dolby Digital Plus, also known as Enhanced AC-3 (commonly abbreviated as DD+ or E-AC-3, or EC-3), is the successor to Dolby Digital (AC-3). It is a digital audio compression scheme developed by Dolby Labs for the transport and storage of multi-channel digital audio.
-
-DTS-ES
DTS-ES
DTS-ES (DTS Extended Surround) includes two variants, DTS-ES Discrete 6.1 and DTS-ES Matrix 5.1, depending on how the sound was originally mastered and stored.
-DTS = Basic DTS
-DTS
DTS
Digital Theater Sound (DTS) is a digital audio technology developed by DTS, Inc, which focuses on digital surround sound formats for consumer and commercial applications as well as theatrical purposes. Compared to the Dolby Digital standard, DTS uses four times less compression and digitizes audio sounds at 20 bits instead of 16 bits. This makes DTS-based audio richer in sound and more detailed than Dolby Digital-based ones.
-
-AAC
AAC
From Wikipedia, the free encyclopedia Advanced Audio Coding (AAC) is an audio coding standard for lossy digital audio compression. Designed to be the successor of the MP3 format, AAC generally achieves higher sound quality than MP3 at the same bit rate.
-(Basic) Dolby Digital = DD
-DD aka AC3
DD aka AC3
From Wikipedia, the free encyclopedia
Dolby Digital, also known as Dolby AC-3, is a lossy audio compression format.
-
-MP3
MP3
MP3 (MPEG-1 and/or MPEG-2 Audio Layer 3) is a lossy data compression format for audio.
-
-OPUS
OPUS
From Wikipedia, the free encyclopedia
Opus is a lossy audio coding format developed by the Xiph.Org Foundation and standardized by the Internet Engineering Task Force, designed to efficiently code speech and general audio in a single format while remaining low-latency enough for real-time interactive communication and low-complexity enough for low-end embedded processors. Opus replaces both Vorbis and Speex for new applications, and several blind listening tests have ranked it higher quality than any other standard audio format at any given bitrate until transparency is reached, including MP3, AAC, and HE-AAC.
-
-This Custom Format will only match on DV HDR10+
This Custom Format will only match on DV HDR10+
This format provides Dolby Vision with HDR10+ fallback (with HDR10+ having native HDR10 fallback). You will find this mainly with:
-Dolby Vision
Dolby Vision
Dolby Vision is a dynamic HDR format. It can offer better visual experiences relative to HDR10. The most significant difference is that it uses dynamic metadata which allows varying brightness levels within HDR content which enables filmmakers to have more precise control over the overall image appearance. HDR10 relies on static metadata which limits the HDR effect to a per-movie or per-episode basis.
- -
-HDR10+
HDR10+
HDR10+ improves upon HDR10 by making its metadata dynamic, allowing for it to change for each frame of video. This means every frame is adjusted to its own set of colors, brightness, and contrast parameters, making for a much more vibrant and realistic-looking image. Areas of the screen that might have been over-saturated with HDR10 will display their full contrast and detail with HDR10+.
- --💡 Any form of HDR will look significantly better than SDR on supporting equipment. The overall result will ultimately end up varying, though, based on your hardware and how the studio and filmmaker implemented HDR.
- - +💡 Any form of HDR will look significantly better than SDR on supporting equipment. The overall result will ultimately end up varying, though, based on your hardware and how the studio and filmmaker implemented HDR.
DV = DoVi = Dolby Vision
-This Custom Format will only match on DV HDR10
This Custom Format will only match on DV HDR10
This format provides Dolby Vision with HDR10 fallback. You will find this mainly with:
-Dolby Vision
Dolby Vision
Dolby Vision is a dynamic HDR format. It can offer better visual experiences relative to HDR10. The most significant difference is that it uses dynamic metadata which allows varying brightness levels within HDR content which enables filmmakers to have more precise control over the overall image appearance. HDR10 relies on static metadata which limits the HDR effect to a per-movie or per-episode basis.
- -
-HDR10
HDR10
HDR10 is the most basic HDR format used in consumer media and is supported by all HDR-supported devices.
HDR10 relies on static metadata which limits its effect to a per-movie or per-episode basis. Because of this, it lacks the information for how the content should be adjusted for your specific display. The interaction between display capabilities, video metadata, and the ultimate output (i.e., the presentation of the video) is controlled by the display, which may result in quality that is ultimately not how was originally intended.
- --💡 Any form of HDR will look significantly better than SDR on supporting equipment. The overall result will ultimately end up varying, though, based on your hardware and how the studio and filmmaker implemented HDR.
- - +💡 Any form of HDR will look significantly better than SDR on supporting equipment. The overall result will ultimately end up varying, though, based on your hardware and how the studio and filmmaker implemented HDR.
DV = DoVi = Dolby Vision
-This Custom Format will only match on DV HLG
This Custom Format will only match on DV HLG
DV HLG
This is a very rare HDR Format that was created by NHK (JP) and the BBC for cable, satellite, and over-the-air TV broadcasts.
-Dolby Vision
Dolby Vision
Dolby Vision is a dynamic HDR format. It can offer better visual experiences relative to HDR10. The most significant difference is that it uses dynamic metadata which allows varying brightness levels within HDR content which enables filmmakers to have more precise control over the overall image appearance. HDR10 relies on static metadata which limits the HDR effect to a per-movie or per-episode basis.
- -
-This Custom Format will only match on DV HLG
This Custom Format will only match on DV HLG
HLG
HLG or HLG10 is an HDR format created by NHK (JP) and the BBC that can be used for both video and still images. This format is backward compatible with SDR UHD TV, but not with older SDR displays that do not implement the Rec. 2020 color standards.
You will find this mainly with cable, satellite, and over-the-air TV broadcast series and movies from the likes of BBC and National Geographic.
- -DV = DoVi = Dolby Vision
-This Custom Format will only match on DV SDR
This Custom Format will only match on DV SDR
DV SDR
This is a very rare HDR Format.
-HDR10+ = HDR10P = HDR10Plus
-HDR10+
HDR10+
HDR10+ improves upon HDR10 by making its metadata dynamic, allowing for it to change for each frame of video. This means every frame is adjusted to its own set of colors, brightness, and contrast parameters, making for a much more vibrant and realistic-looking image. Areas of the screen that might have been over-saturated with HDR10 will display their full contrast and detail with HDR10+.
-HDR10
-HDR10
HDR10
HDR10 is the most basic HDR format used in consumer media and is supported by all HDR-supported devices.
HDR10 relies on static metadata which limits its effect to a per-movie or per-episode basis. Because of this, it lacks the information for how the content should be adjusted for your specific display. The interaction between display capabilities, video metadata, and the ultimate output (i.e., the presentation of the video) is controlled by the display, which may result in quality that is ultimately not how was originally intended.
-HDR
-This Custom Format will only match on HDR NOT on HDR10, HDR10+ etc
This Custom Format will only match on HDR NOT on HDR10, HDR10+ etc
This Custom Format is a sort of "catch-all" for the HDR scene naming scheme where we don't know, based on name alone, which HDR formats are included - it could be HDR10, HDR10+ or even PQ.
-Some release groups don't add HDR to their 4K release naming scheme.
+Some release groups don't add HDR to their 4K release naming scheme.
Currently, only FraMeSToR and HQMUX do not include the 'HDR' tag. In the future, we can add more when it's needed.
Add this Custom Format with the same score you use for HDR10.
PQ = PQ10
-PQ10
PQ10
PQ (perceptual quantizer) or PQ10 is the most basic HDR format that can be used for both video and still images. It is the same as the HDR10 format without any metadata.
You will find this mainly with older movies.
-HLG = HLG10
-This Custom Format will only match on DV HLG
This Custom Format will only match on DV HLG
HLG
HLG or HLG10 is an HDR format created by NHK (JP) and the BBC that can be used for both video and still images. This format is backward compatible with SDR UHD TV, but not with older SDR displays that do not implement the Rec. 2020 color standards.
You will find this mainly with cable, satellite, and over-the-air TV broadcast series and movies from the likes of BBC and National Geographic.
--AV1 encodes are currently targeting small file sizes, rather than good visual quality.
+AV1 encodes are currently targeting small file sizes, rather than good visual quality.
720/1080p no x265 = x265 (720/1080p) = x265 (HD)
-This blocks all 720/1080p (HD) releases that are encoded in x265.
+This blocks all 720/1080p (HD) releases that are encoded in x265.
In your quality profile use the following score for this Custom Format: -10000
If you have also added x265 (no HDR/DV) to your Radarr,
then one of them should be scored as 0 in your quality profile.
-Obfuscated
Obfuscated
Obfuscated are used on usenet, mostly with non-tier-1 indexers, to do re-posts of common/popular releases. Use this only if you've access to tier 1 Usenet indexers.
-
-Retags
Retags
Retags are something you often see on public trackers where the tracker or uploader adds their name to the torrent. It is also possible that it could show up on some Usenet indexers.
--This blocks most 720/1080p (HD) releases that are encoded in x265, But it will allow 720/1080p x265 releases if they have HDR and/or DV
+This blocks most 720/1080p (HD) releases that are encoded in x265, But it will allow 720/1080p x265 releases if they have HDR and/or DV
Since some NF releases won't be released as 4k, this allows you to still have the DV/HDR releases.
In your quality profile use the following score for this Custom Format: -10000
If you have also added x265 (HD) to your Radarr,
then one of them should be scored as 0 in your quality profile.
-This will prevent grabbing UHD/4k releases without HDR Formats.
- +This will prevent grabbing UHD/4k releases without HDR Formats.
-This will prevent grabbing UHD/4k Remux and Bluray encode releases without HDR Formats. - i.e., SDR WEB releases will still be allowed since 4K SDR WEB releases can often look better than the 1080p version due to the improved bitrate.
- +This will prevent grabbing UHD/4k Remux and Bluray encode releases without HDR Formats. - i.e., SDR WEB releases will still be allowed since 4K SDR WEB releases can often look better than the 1080p version due to the improved bitrate.
If you have also added SDR to your Radarr,
then one of them should be scored as 0 in your quality profile.
Amazon Prime Video
-Amazon Prime Video
Amazon Prime Video
From Wikipedia, the free encyclopedia
Amazon Prime Video, or simply Prime Video, is an American subscription video on-demand over-the-top streaming and rental service of Amazon offered as a standalone service or as part of Amazon's Prime subscription. The service primarily distributes films and television series produced by Amazon MGM Studios or licensed to Amazon, as Amazon Originals, with the service also hosting content from other providers, content add-ons, live sporting events, and video rental and purchasing services.
-Apple TV+
-Apple TV+
Apple TV+
From Wikipedia, the free encyclopedia
Apple TV+ is an American subscription streaming service owned and operated by Apple Inc. Launched on November 1, 2019, it offers a selection of original production film and television series called Apple Originals.
-Bravia Core
-Bravia Core aka Sony Pictures Core
Bravia Core aka Sony Pictures Core
From Sony From Wikipedia, the free encyclopedia
Sony Pictures Core (formerly known as Bravia Core) is a video on demand service from Sony for its televisions and smartphones, launched in April 2021. The service offers the streaming of movies at up to 4K resolution provided by Sony Pictures Entertainment. CORE stands for Centre of Real Entertainment. Sony claims that Bravia Core has one of the largest libraries of IMAX Enhanced format film content. Streaming, which is marketed as Pure Stream, is claimed to be at speeds of up to 80 Mbit/s.
-Criterion Channel
-Criterion Channel
Criterion Channel
Disney+
-Disney+
Disney+
From Wikipedia, the free encyclopedia
Disney+ is an American subscription video on-demand over-the-top streaming media service owned and operated by Disney Streaming, the streaming division of Disney Entertainment, a major business segment of the Walt Disney Company.The service primarily distributes films and television shows produced by Walt Disney Studios and Disney Television Studios, with dedicated content hubs for Disney's flagship brands; Disney, Pixar, Marvel, Star Wars, National Geographic, and Hulu as well as showcasing original and exclusive films and television shows.
-HBO
-HBO
HBO
From Wikipedia, the free encyclopedia
Home Box Office (HBO) is an American pay television network, which is the flagship property of namesake parent-subsidiary Home Box Office, Inc., itself a unit owned by Warner Bros. Discovery. The overall Home Box Office business unit is based at Warner Bros. Programming featured on the network consists primarily of theatrically released motion pictures and original television programs as well as made-for-cable movies, documentaries, occasional comedy, and concert specials, and periodic interstitial programs (consisting of short films and making-of documentaries).
-HBO Max
-Max (streaming service) aka HBO Max
Max (streaming service) aka HBO Max
From Wikipedia, the free encyclopedia
Max, formerly and in some markets still HBO Max, is an American subscription video on-demand over-the-top streaming service. It is a proprietary unit of Warner Bros. Discovery Global Streaming & Interactive Entertainment, which is itself a division of Warner Bros. Discovery (WBD). First launched (as HBO Max) in the United States on May 27, 2020, the service offers content from the libraries of Warner Bros., Discovery Channel, HBO, CNN, Cartoon Network, Adult Swim, Animal Planet, Eurosport, and their related brands.
-Hulu
-Hulu
Hulu
From Wikipedia, the free encyclopedia
Hulu (/ˈhuːluː/) is an American subscription streaming service owned by The Walt Disney Company. It was launched on October 29, 2007.
-iT = iTunes
-iTunes
iTunes
From Wikipedia, the free encyclopedia
Apple introduced iTunes 6, enabling support for purchasing and viewing video content purchased from the iTunes Store. At launch, the store offered popular shows from the ABC network along with Disney Channel series. In 2008, Apple and select film studios introduced "iTunes Digital Copy", a feature on select DVDs and Blu-ray discs allowing a digital copy in iTunes and associated media players.
-Max (streaming service)
-Max (streaming service) aka HBO Max
Max (streaming service) aka HBO Max
From Wikipedia, the free encyclopedia
Max, formerly and in some markets still HBO Max, is an American subscription video on-demand over-the-top streaming service. It is a proprietary unit of Warner Bros. Discovery Global Streaming & Interactive Entertainment, which is itself a division of Warner Bros. Discovery (WBD). First launched (as HBO Max) in the United States on May 27, 2020, the service offers content from the libraries of Warner Bros., Discovery Channel, HBO, CNN, Cartoon Network, Adult Swim, Animal Planet, Eurosport, and their related brands.
-Movies Anywhere
-Movies Anywhere
Movies Anywhere
From Wikipedia, the free encyclopedia
Movies Anywhere (MA) is a cloud-based digital rights locker and over-the-top streaming platform that allows users to stream and download purchased films, including digital copies redeemed from codes found in home video releases as well as digital purchases from participating services. Movies Anywhere is operated by The Walt Disney Company. The platform provides content from Walt Disney Studios, Sony Pictures, Universal Pictures, and Warner Bros. The system utilizes an internal platform known as KeyChest, which synchronizes content licenses from digital distribution platforms linked to a central user account.
-Netflix
-Netflix
Netflix
From Wikipedia, the free encyclopedia
Netflix is an American subscription video on-demand over-the-top streaming service. The service primarily distributes original and acquired films and television shows from various genres, and it is available internationally in multiple languages.
-Peacock TV
-Peacock TV
Peacock TV
From Wikipedia, the free encyclopedia
Peacock is an American over-the-top video streaming service owned and operated by Peacock TV LLC, a subsidiary of NBCUniversal Media Group. Named after the NBC logo, the service launched on July 15, 2020. The service primarily features series and film content from NBCUniversal studios and other third-party content providers, including television series, films, news, and sports programming. The service is available in a grandfathered free ad-supported version with limited content, while premium tiers include a larger content library and access to additional NBC Sports, Hallmark Channel, and WWE content.
-Paramount+
-Paramount+
Paramount+
From Wikipedia, the free encyclopedia
Paramount+ is an American subscription video on-demand over-the-top streaming service owned by Paramount Global. The service's content is drawn primarily from the libraries of CBS Media Ventures, CBS Studios, Paramount Media Networks (formerly Viacom Media Networks and ViacomCBS Domestic Media Networks), and Paramount Pictures, while also including original series and films, live streaming sports coverage, and in the United States, live streaming of local CBS broadcast stations.
-Stan
-Stan
Stan
From Wikipedia, the free encyclopedia
Stan is an Australian over-the-top streaming service. The service offers a broad range of film and television content from both local and foreign productions, particularly from the United States and United Kingdom. Stan also includes a growing library of their own original film and television content. With over 2.6 million subscribers, as of June 2023 Stan is the fourth largest streaming service in Australia, behind Disney+, Amazon Prime Video and Netflix.
-FOD = Fuji Television On Demand
-Fuji Television On Demand
Fuji Television On Demand
Disney+ Hotstar
-Disney+ Hotstar
Disney+ Hotstar
From Wikipedia, the free encyclopedia
Disney+ Hotstar is an Indian subscription video-on-demand over-the-top streaming service owned by Disney Star, a subsidiary of the Disney Entertainment business segment of The Walt Disney Company, featuring domestic Indian film, television and sports content for India itself and its worldwide diaspora. It also includes imported content from and serves Southeast Asia as well.
-TVer
TVING
-TVING
TVING
From Wikipedia, the free encyclopedia
TVING (Korean: 티빙) is a South Korean subscription video on-demand over-the-top streaming service operated by TVING Corporation, It is a platform that streams dramas, entertainment shows, animations, exclusive television films, specials and documentaries.
-U-NEXT
-U-NEXT
U-NEXT
VIU
-VIU
VIU
From Wikipedia, the free encyclopedia
Viu (pronounced as view) is a Hong Kong-based over-the-top (OTT) video streaming provider, Viu delivers content in different genres from Asia's top content providers with local language subtitles, as well as original production series under the Viu Original initiative (similar to original programming from other services like Disney+, Amazon Prime Video and Netflix).
-Pathé Thuis
-Pathé Thuis
Pathé Thuis
From Wikipedia, the free encyclopedia
Pathé Thuis is a Dutch streaming service for renting and purchasing films.
-Videoland
-Videoland
Videoland
From Wikipedia, the free encyclopedia
Videoland is a Dutch OTT online service provider owned by RTL Nederland. Originally it was a retail chain of video rental stores. Its main competitor is Netflix.
-BBC iPlayer aka iP
-BBC iPlayer aka iP
BBC iPlayer aka iP
From Wikipedia, the free encyclopedia
BBC iPlayer is a video on demand service from the BBC. iPlayer services delivered to UK-based viewers feature no commercial advertising.
-ITVX aka ITV
-ITVX aka ITV
ITVX aka ITV
From Wikipedia, the free encyclopedia
ITVX (formerly ITV Hub) is a British ad-supported video-on-demand streaming service operated by ITV. The service offers original content from the broadcaster, as well as some exclusive and licensed programming.
-MY5 aka Channel 5
-MY5
MY5
From Wikipedia, the free encyclopedia
My5 (previously Five Download and later Demand 5) is the brand name of video-on-demand services offered by Channel 5 in the United Kingdom.
-NOW
-NOW
NOW
From Wikipedia, the free encyclopedia
Now (formerly Now TV and often stylised as NOW) is a subscription over-the-top streaming television service operated by British satellite television provider Sky Group.
-Australian Broadcasting Corporation
-AUBC
AUBC
From Wikipedia, the free encyclopedia
The Australian Broadcasting Corporation (ABC) is the national broadcaster of Australia
-CBC
-Canadian Broadcasting Corporation
Canadian Broadcasting Corporation
From Wikipedia, the free encyclopedia
The Canadian Broadcasting Corporation (French: Société Radio-Canada), branded as CBC/Radio-Canada, is the Canadian public broadcaster for both radio and television. It is a Crown corporation that serves as the national public broadcaster, with its English-language and French-language service units known as CBC and Radio-Canada, respectively.
CBC Gem
From Wikipedia, the free encyclopedia
CBC Gem is CBC Television's over-the-top streaming platform; it launched in 2018, replacing the existing CBC TV app. The service carries live and on-demand programming from CBC Television, CBC News, and CBC Sports, as well as short- and long-form original programming and acquisitions (including films and television series).
-Crave
-CRAVE
CRAVE
From Wikipedia, the free encyclopedia
Crave (originally CraveTV) is a Canadian subscription video on demand service. The service competes directly with other subscription-based over-the-top streaming services operating in Canada, primarily against American-based services. The service features Bell Media original programming, exclusive Canadian access to programming acquired from several U.S. television and streaming services, and various theatrically-released films. Crave's major programming supplier is Warner Bros. Discovery (HBO / Max and Warner Bros. films). Starz, offered in partnership with Lionsgate.
-OViD
Star+
-Star+
Star+
From Wikipedia, the free encyclopedia
Star+ (Star Plus; stylized as ST★R+) is a subscription video on-demand over-the-top streaming service available in almost all Ibero-American states. The service is owned by The Walt Disney Company through the Disney Entertainment division and business segment.
In December 2023, it was confirmed that Star+ will be merged into Disney+ in the second quarter of 2024 with all of its content, including live sports from ESPN, migrating to Disney+ and its standalone app being discontinued.
-After selecting the Import button you will get a screen that has all the Custom Format variables filled in correctly, all you need to do now is click on the Save button and you're done.
The Import to update existing Custom Formats replaces the existing Custom Format, so all manual changes you did to it will be lost
The Import to update existing Custom Formats replaces the existing Custom Format, so all manual changes you did to it will be lost
Please note that folder names are created in the database whenever the movie is added to Radarr and it may be missing or incorrect at that time, resulting in your folder having a blank ID.
If you instead add it to the filename, the IMDb/TMDb ID will be freshly pulled for any download or upgrade.
Please note that folder names are created in the database whenever the movie is added to Radarr and it may be missing or incorrect at that time, resulting in your folder having a blank ID.
If you instead add it to the filename, the IMDb/TMDb ID will be freshly pulled for any download or upgrade.
The current logic on how downloads are compared is Quality Trumps All
The current logic on how downloads are compared is Quality Trumps All
In some cases, it might be preferred to not have Quality Trump All, and let it be handled via Preferred Words / Custom Formats.
To accomplish this you will need to merge the qualities.
Here you will see the current logic so you understand how the possible downloads are compared.
-As of 2021-11-06 the logic is as follows:
-The Current logic on how downloads are compared is Quality Trumps All
The Current logic on how downloads are compared is Quality Trumps All
Settings => Media Management => File Management => Proper & Repacks Change to Do Not Prefer and use the Repack/Proper Custom Format
As of 2024-01-16 the logic is as follows:
-The Current logic on how downloads are compared is Quality Trumps All
The Current logic on how downloads are compared is Quality Trumps All
REPACKS and PROPERs are v2 of Qualities and thus rank above a non-repack of the same quality. Set Media Management => File Management Download Proper & Repacks to "Do Not Prefer" and use TRaSH's Repack/Proper Custom Format with a positive score as suggested by TRaSH's Guides
Go to your preferred Quality Profile or create a new one.
Settings => Profiles
Warning
-You can't use the same root (media library) folder for both Radarr/Sonarr instances.
You can't use the same root (media library) folder for both Radarr/Sonarr instances.
Make sure you use two separate root folders in Radarr/Sonarr (movies-hd, movies-uhd, tv-hd, tv-uhd, etc)
We're going to make use of the below custom formats. See How to import Custom Formats for how to import them.
